“Ottogi” is a part of my Friction series and was written for Ernst Spyckerelle. As with other works in the series, the piece explores a range of friction-based sounds. However, unlike the others, Ottogi is especially dedicated to those who endure repeated failures and setbacks, yet continue to stand up again.

The title refers to the traditional Korean toy that always rights itself when knocked over. I found this image deeply resonant—both personally and collectively. As someone who has stumbled often, I see in the ottogi a quiet but powerful symbol of persistence and renewal. In many ways, we are all like this doll: we fall, we rise, and we fall again.

This idea is embodied in the recurring glissandi throughout the piece, which evoke the motion of slipping and falling. As the work develops, these gestures begin to slow down and gain weight—suggesting not only struggle, but also the accumulation of strength and resilience over time.

In a time marked by political uncertainty and social instability, I hope this piece can offer a sense of quiet hope—a reminder that even amid instability, we have the capacity to rise again.